{"id":28,"date":"2025-03-03T16:04:42","date_gmt":"2025-03-03T16:04:42","guid":{"rendered":"https:\/\/encordadas.com\/2025\/index.php\/home\/"},"modified":"2025-04-23T15:45:56","modified_gmt":"2025-04-23T15:45:56","slug":"2025-2","status":"publish","type":"page","link":"https:\/\/encordadas.com\/2025\/","title":{"rendered":"Encordadas | Guitarra Espa\u00f1ola en Jap\u00f3n | Tokio 2025"},"content":{"rendered":"\t\t
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Encordadas<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Encordadas<\/b> es un proyecto cultural ambicioso que busca celebrar y promover la guitarra cl\u00e1sica espa\u00f1ola en Jap\u00f3n. Este evento, el primero de su tipo en Jap\u00f3n, tiene como objetivo destacar la rica herencia cultural de Espa\u00f1a y fortalecer los lazos culturales y comerciales entre ambos pa\u00edses.<\/span><\/p>

El t\u00e9rmino <\/span>Encordadas <\/b>hace referencia al acto de poner las cuerdas en una guitarra, el paso\u00a0 con el que se culmina el laborioso proceso de construcci\u00f3n del instrumento. Pero, m\u00e1s all\u00e1 de su significado literal, <\/span>Encordadas <\/b>simboliza la conexi\u00f3n entre dos culturas que, aunque geogr\u00e1ficamente distantes, comparten una profunda admiraci\u00f3n por la tradici\u00f3n y el oficio del guitarrero.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Encordadas simboliza la
conexi\u00f3n entre dos
culturas que, aunque
geogr\u00e1ficamente
distantes, comparten
una profunda
admiraci\u00f3n por la
tradici\u00f3n y el oficio
del guitarrero.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Exposici\u00f3n \u5c55\u793a\u4f1a<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\u6708\u66dc\u65e5\u301c\u6728\u66dc\u65e5 10:00 – 17:00
\u91d1\u66dc\u65e5 10:00 – 16:00<\/p>

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Cuando un guitarrista pulsa una cuerda, comienza una maravillosa cadena de eventos. Las vibraciones viajan por las cuerdas hasta la tapa de la guitarra, donde cobran vida desplazando el aire dentro del cuerpo del instrumento. Este aire rebota en el fondo y los aros, y finalmente, escapa por la boca de la guitarra en forma de nota musical. Todo este fascinante proceso tiene su origen en el taller del guitarrero\/a.<\/p>

La construcci\u00f3n de una guitarra espa\u00f1ola es un viaje que puede durar meses, donde cada etapa exige un equilibrio meticuloso entre arte y t\u00e9cnica. Desde la cuidadosa selecci\u00f3n de las maderas hasta la afinaci\u00f3n final, cada paso contribuye a crear un instrumento que no solo destaca por su sonido, sino que tambi\u00e9n transmite la pasi\u00f3n y la destreza del artesano.<\/p>

Te invitamos a adentrarte en este interesante proceso. Descubre c\u00f3mo cobran vida estas obras maestras acompa\u00f1ado de una selecci\u00f3n de guitarras que representan la culminaci\u00f3n de este oficio artesanal. Cada una de ellas, creada por reconocidos guitarreros y guitarreras, destaca por su dise\u00f1o \u00fanico, su elecci\u00f3n de materiales y las t\u00e9cnicas tradicionales empleadas.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Embajada de Espa\u00f1a en Jap\u00f3n<\/strong>
1-3-29 Roppongi, Minato-ku,
Tokio 106-0032<\/p>

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\u3012106-0032 \u6771\u4eac\u90fd
\u6e2f\u533a\u516d\u672c\u67281-3-29<\/p>

Tel: 03-5210-1706<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Guitarras espa\u00f1olas hechas a mano usando m\u00e9todos tradicionales<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Sandra Garc\u00eda Rey<\/b><\/span>\u00a0
<\/b>Fot\u00f3grafa art\u00edstica y realizadora audiovisual.<\/p>

Es licenciada en Sociolog\u00eda y Comunicaci\u00f3n Audiovisual por la Universidade da Coru\u00f1a.<\/p>

Ha trabajado en documentales de memoria hist\u00f3rica, dirigido cortos experimentales y ha realizado proyectos fotogr\u00e1ficos de gran repercusi\u00f3n. Su enfoque se centra en abordar tem\u00e1ticas sociales relevantes a trav\u00e9s de historias pr\u00f3ximas.<\/p>

Durante 2024 y comienzos de 2025 ha estado documentando la construcci\u00f3n de guitarras en un trabajo que incluye fotograf\u00eda y piezas audiovisuales. La serie de fotograf\u00edas que acompa\u00f1an la exposici\u00f3n se realizaron en el taller del guitarrero Pablo S\u00e1nchez Otero en A Coru\u00f1a (Galicia) durante el proceso de construcci\u00f3n de su guitarra La Perdiz.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u30b3\u30eb\u30fc\u30cb\u30e3\u5927\u5b66\u3067\u793e\u4f1a\u5b66\u30fb\u30aa\u30fc\u30c7\u30a3\u30aa\u30d3\u30b8\u30e5\u30a2\u30eb\u30b3\u30df\u30e5\u30cb\u30b1\u30fc\u30b7\u30e7\u30f3\u5b66\u58eb\u53f7\u3092\u53d6\u5f97\u3002\u6b74\u53f2\u7684\u8a18\u61b6\u306e\u30c9\u30ad\u30e5\u30e1\u30f3\u30bf\u30ea\u30fc\u3092\u624b\u304c\u3051\u3001\u5b9f\u9a13\u7684\u306a\u77ed\u7de8\u6620\u753b\u3092\u76e3\u7763\u3057\u3001\u5199\u771f\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u3092\u5c55\u958b\u3057\u3066\u5927\u304d\u306a\u53cd\u97ff\u3092\u547c\u3073\u307e\u3057\u305f\u3002\u305d\u306e\u8996\u70b9\u306f\u3001\u73fe\u4ee3\u53f2\u3092\u901a\u3058\u3066\u91cd\u8981\u306a\u793e\u4f1a\u7684\u30c6\u30fc\u30de\u306b\u53d6\u308a\u7d44\u3080\u3053\u3068\u306b\u3042\u308a\u307e\u3059\u3002<\/p>

2024\u5e74\u304b\u30892025\u5e74\u521d\u3081\u306b\u304b\u3051\u3066\u3001\u5199\u771f\u3068\u30aa\u30fc\u30c7\u30a3\u30aa\u30d3\u30b8\u30e5\u30a2\u30eb\u4f5c\u54c1\u3092\u542b\u3080\u30ae\u30bf\u30fc\u88fd\u4f5c\u306e\u30c9\u30ad\u30e5\u30e1\u30f3\u30bf\u30ea\u30fc\u3092\u88fd\u4f5c\u3057\u3066\u3044\u307e\u3059\u3002\u3053\u306e\u5c55\u793a\u4f1a\u306b\u51fa\u5c55\u3055\u308c\u308b\u5199\u771f\u306f\u3001\u30a2\u30fb\u30b3\u30eb\u30fc\u30cb\u30e3\uff08\u30ac\u30ea\u30b7\u30a2\uff09\u306e\u30ae\u30bf\u30fc\u88fd\u4f5c\u5bb6\u30d1\u30d6\u30ed\u30fb\u30b5\u30f3\u30c1\u30a7\u30b9\u30fb\u30aa\u30c6\u30ed\u304c\u81ea\u8eab\u306e\u5de5\u623f\u3067\u3001\u30ae\u30bf\u30fc\u300c\u30e9\u30fb\u30da\u30eb\u30c7\u30a3\u30b9\u300d\u3092\u88fd\u4f5c\u3059\u308b\u69d8\u5b50\u3092\u64ae\u5f71\u3057\u305f\u3082\u306e\u3067\u3059\u3002<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Marta Garc\u00eda-Pe\u00f1uela Pantale\u00f3n
<\/b>Asesora y redactora de contenidos expositivos y did\u00e1cticos<\/p>

Es licenciada en Traducci\u00f3n e Interpretaci\u00f3n de Idiomas por la Universidade de Vigo y m\u00e1ster en Educaci\u00f3n por la Universidade da Coru\u00f1a. Ha sido profesora de lenguas y comunicaci\u00f3n. En la actualidad, su trabajo se centra en dise\u00f1ar y desarrollar materiales y experiencias educativas.<\/p>

Los textos y materiales did\u00e1cticos de la exposici\u00f3n tratan de acercar al p\u00fablico el proceso de construcci\u00f3n de una guitarra espa\u00f1ola y poner en valor la tradici\u00f3n y el trabajo artesanal de los maestros guitarreros.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u30de\u30eb\u30bf\u30fb\u30ac\u30eb\u30b7\u30a2=\u30da\u30cb\u30e5\u30a8\u30e9\u30fb\u30d1\u30f3\u30bf\u30ec\u30aa\u30f3<\/b><\/p>

\u6559\u80b2\u76e3\u4fee\u53ca\u3073\u6559\u6750\u4f5c\u6210<\/p>

\u30d3\u30b4\u5927\u5b66\u306e\u8a00\u8a9e\u7ffb\u8a33\u901a\u8a33\u5b66\u5b66\u58eb\u3001\u30b3\u30eb\u30fc\u30cb\u30e3\u5927\u5b66\u306e\u6559\u80b2\u5b66\u4fee\u58eb\u3067\u3059\u3002\u8a00\u8a9e\u30fb\u30b3\u30df\u30e5\u30cb\u30b1\u30fc\u30b7\u30e7\u30f3\u306e\u6559\u5e2b\u3092\u3057\u3066\u3044\u307e\u3057\u305f\u3002\u73fe\u5728\u306f\u3001\u4e3b\u306b\u6559\u6750\u3084\u4f53\u9a13\u6559\u80b2\u306e\u30c7\u30b6\u30a4\u30f3\u3068\u958b\u767a\u306e\u4ed5\u4e8b\u306b\u643a\u308f\u3063\u3066\u3044\u307e\u3059\u3002<\/p>

\u3053\u306e\u5c55\u793a\u4f1a\u306e\u30c6\u30ad\u30b9\u30c8\u3068\u6559\u6750\u306f\u3001\u3054\u6765\u5834\u306e\u7686\u69d8\u306b\u3001\u30b9\u30d1\u30cb\u30c3\u30b7\u30e5\u30ae\u30bf\u30fc\u88fd\u4f5c\u306e\u30d7\u30ed\u30bb\u30b9\u3092\u8eab\u8fd1\u306b\u611f\u3058\u3001\u540d\u5de5\u305f\u3061\u306e\u4f1d\u7d71\u3068\u8077\u4eba\u82b8\u306b\u89e6\u308c\u3066\u3044\u305f\u3060\u304f\u3053\u3068\u3092\u76ee\u7684\u3068\u3057\u305f\u3082\u306e\u3067\u3059\u3002<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Guitarreros \u30ae\u30bf\u30fc\u88fd\u4f5c\u5bb6<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Pablo S\u00e1nchez Otero \u30d1\u30d6\u30ed\u30fb\u30b5\u30f3\u30c1\u30a7\u30b9\u30fb\u30aa\u30c6\u30ed <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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\u30d1\u30d6\u30ed\uff081986\u5e74\u30b9\u30da\u30a4\u30f3\u306e\u30a2\u30fb\u30b3\u30eb\u30fc\u30cb\u30e3\u751f\u307e\u308c\uff09\u306f\u3001\u30b9\u30da\u30a4\u30f3\u3084\u30a4\u30ae\u30ea\u30b9\u3001\u30d9\u30eb\u30ae\u30fc\u306e\u540d\u9580\u6821\u3067\u6559\u80b2\u3092\u53d7\u3051\u3001\u3055\u3089\u306b2010\u5e74\u306b\u30b7\u30b0\u30a8\u30f3\u30b5\u3067\u30b8\u30e3\u30a6\u30e1\u30fb\u30dc\u30bb\u30fc\u30eb\u3068\u30b8\u30e7\u30a2\u30f3\u30fb\u30da\u30ea\u30b5\u306b\u3088\u308b\u30d3\u30a6\u30a8\u30e9\u88fd\u4f5c\u5c02\u9580\u30b3\u30fc\u30b9\u30012012\u5e74\u306b\u30db\u30bb\u30fb\u30eb\u30a4\u30b9\u30fb\u30ed\u30de\u30cb\u30ea\u30e7\u30b9\u3001\u30ea\u30a2\u30e0\u30fb\u30ed\u30de\u30cb\u30ea\u30e7\u30b9\u3068\u30b9\u30c6\u30d5\u30a1\u30f3\u30fb\u30ea\u30fc\u30ba\u306e\u30b9\u30d1\u30cb\u30c3\u30b7\u30e5\u30ae\u30bf\u30fc\u88fd\u4f5c\u5c02\u9580\u30b3\u30fc\u30b9\u3067\u5b66\u3073\u307e\u3057\u305f\u3002\u5f7c\u306e\u30ae\u30bf\u30fc\u306f\u3001\u500b\u4eba\u30b3\u30ec\u30af\u30b7\u30e7\u30f3\u3084\u535a\u7269\u9928\u306e\u6b74\u53f2\u7684\u697d\u5668\u306e\u76f4\u63a5\u7814\u7a76\u306e\u307b\u304b\u306b\u3001\u30a2\u30f3\u30c8\u30cb\u30aa\u30fb\u30c7\u30fb\u30c8\u30fc\u30ec\u30b9\u3068\u30db\u30bb\u30fb\u30eb\u30a4\u30b9\u30fb\u30ed\u30de\u30cb\u30ea\u30e7\u30b9\u306e\u907a\u7523\u306b\u3082\u60f3\u3092\u5f97\u305f\u3082\u306e\u3067\u3059\u3002<\/p>

2014\u5e74\u304b\u30892019\u5e74\u307e\u3067\u3001\u30a2\u30f3\u30c8\u30ef\u30fc\u30d7\u56fd\u969b\u5f26\u697d\u5668\u88fd\u4f5c\u5b66\u6821\uff08ILSA\uff09\u3067\u3001\u30b9\u30d1\u30cb\u30c3\u30b7\u30e5\u30ae\u30bf\u30fc\u88fd\u4f5c\u79d1\u306e\u6559\u6388\u3092\u52d9\u3081\u307e\u3057\u305f\u3002<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Pablo\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pablo (A Coru\u00f1a, 1986) se form\u00f3 en prestigiosas escuelas de Espa\u00f1a, Reino Unido y B\u00e9lgica, complementando su aprendizaje con cursos especializados como el de construcci\u00f3n de vihuelas en Sig\u00fcenza en 2010, impartido por Jaume Bosser y Joan Pellisa, y el de guitarra espa\u00f1ola en 2012, con Jos\u00e9 Luis Romanillos, Liam Romanillos y Stephen Rees. Sus guitarras se inspiran en el legado de Antonio de Torres y Jos\u00e9 Luis Romanillos, adem\u00e1s de en el estudio directo de instrumentos hist\u00f3ricos en colecciones privadas y museos.<\/span><\/p>

Entre 2014 y 2019 fue profesor de construcci\u00f3n de guitarras espa\u00f1olas en la Escuela Internacional de Luther\u00eda de Amberes (ILSA). <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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El\u00edas Bonet \u30a8\u30ea\u30a2\u30b9\u30fb\u30dc\u30cd\u30c3\u30c8\u30fb\u30e2\u30f3\u30cd <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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\u30a8\u30ea\u30a2\u30b9(1977 \u5e74\u30b9\u30da\u30a4\u30f3\u306e\u30d0\u30eb\u30bb\u30ed\u30ca\u751f\u307e\u308c) \u306f\u3001EINA\u30d0\u30eb\u30bb\u30ed\u30ca\u30c7\u30b6\u30a4\u30f3\u82b8\u8853\u5927\u5b66\u30bb\u30f3\u30bf\u30fc\u3067\u5de5\u696d\u30c7\u30b6\u30a4\u30f3\u3092\u3001\u305d\u3057\u3066\u30ea\u30bb\u30a6\u97f3\u697d\u9662\u3067\u30af\u30e9\u30b7\u30c3\u30af\u30ae\u30bf\u30fc\u3068\u30d5\u30e9\u30e1\u30f3\u30b3\u30ae\u30bf\u30fc\u3092\u5b66\u3073\u307e\u3057\u305f\u30022009\u5e74\u3001\u30ae\u30bf\u30fc\u88fd\u4f5c\u306b\u5c02\u5ff5\u3059\u308b\u305f\u3081\u5de5\u696d\u30c7\u30b6\u30a4\u30f3\u306e\u9053\u3092\u65ad\u5ff5\u3002\u30ae\u30bf\u30fc\u3078\u306e\u60c5\u71b1\u306b\u76ee\u899a\u3081\u305f\u306e\u306f\u3001\u81ea\u5206\u306e\u30ae\u30bf\u30fc\u306e\u8abf\u5f26\u30c8\u30e9\u30d6\u30eb\u3092\u89e3\u6c7a\u3059\u308b\u65b9\u6cd5\u3092\u63a2\u3057\u3066\u3044\u305f\u6642\u3001\u5076\u7136\u306b\u8a2a\u308c\u305f\u8ee2\u6a5f\u3067\u3057\u305f\u3002<\/p>

\u89e3\u6c7a\u65b9\u6cd5\u3092\u6c42\u3081\u3066\u30e4\u30b0\u30a8\u5144\u5f1f\u306e\u5de5\u623f\u306b\u8db3\u3092\u904b\u3076\u3068\u3001\u30e9\u30a6\u30eb\u30fb\u30e4\u30b0\u30a8\u306f\u3001\u30a8\u30ea\u30a2\u30b9\u306e\u697d\u5668\u3092\u4fee\u7406\u3057\u305f\u3060\u3051\u3067\u306a\u304f\u3001\u305d\u306e\u6307\u5c0e\u306e\u4e0b\u3067\u81ea\u5206\u306e\u30ae\u30bf\u30fc\u3092\u4f5c\u3063\u3066\u307f\u306a\u3044\u304b\u3068\u8a98\u3063\u305f\u306e\u3067\u3059\u3002\u6700\u521d\u306e\u77ac\u9593\u304b\u3089\u3001\u30a8\u30ea\u30a2\u30b9\u306f\u3053\u306e\u4ed5\u4e8b\u306b\u60f9\u304d\u3064\u3051\u3089\u308c\u3001\u30e4\u30b0\u30a8\u5144\u5f1f\u306e\u5de5\u623f\u3067\u4e00\u4eba\u524d\u306b\u306a\u308b\u307e\u3067 6 \u5e74\u9593\u4fee\u696d\u3057\u307e\u3057\u305f\u3002\u305d\u306e\u9593\u306b\u3001\u30d5\u30a2\u30f3\u30fb\u30a2\u30f3\u30c8\u30cb\u30aa\u30fb\u30ec\u30b8\u30a7\u30b9\u30fb\u30c8\u30fc\u30ec\u30b9\u3082\u3001\u5f26\u697d\u5668\u88fd\u4f5c\u8005\u3068\u3057\u3066\u306e\u77e5\u8b58\u3092\u60dc\u3057\u307f\u306a\u304f\u4f1d\u3048\u3066\u63f4\u52a9\u3057\u3066\u304f\u308c\u307e\u3057\u305f\u3002<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"El\u00edas\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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El\u00edas (Barcelona, 1977) se form\u00f3 en Dise\u00f1o Industrial en la Escuela EINA y en guitarra cl\u00e1sica y flamenca en el Conservatori del Liceu. En 2009 decidi\u00f3 dejar el dise\u00f1o industrial para dedicarse de lleno a la construcci\u00f3n de guitarras, una pasi\u00f3n que descubri\u00f3 por casualidad cuando buscaba solucionar problemas de afinaci\u00f3n en su guitarra.<\/span><\/p>

La soluci\u00f3n lo llev\u00f3 al taller de los hermanos Yag\u00fce, donde Ra\u00fal Yag\u00fce no solo repar\u00f3 su instrumento, sino que lo invit\u00f3 a construir su propia guitarra bajo su gu\u00eda. Desde el primer momento, El\u00edas qued\u00f3 cautivado por el oficio, dedicando seis a\u00f1os a aprender y perfeccionarse en el taller de los Yag\u00fce. Durante ese tiempo, tambi\u00e9n cont\u00f3 con el apoyo de Juan Antonio Reyes Torres, quien le transmiti\u00f3 generosamente su conocimiento como luthier.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Carlos Juan Busquiel \u30ab\u30eb\u30ed\u30b9\u30fb\u30d5\u30a2\u30f3\u30fb\u30d6\u30b9\u30ad\u30a8\u30eb <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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\u30ab\u30eb\u30ed\u30b9\uff081980\u5e74\u30a2\u30ea\u30ab\u30f3\u30c6\u751f\u307e\u308c\uff09\u306f\u3001\u97f3\u697d\u9662\u3067\u30d0\u30a4\u30aa\u30ea\u30f3\u3092\u7fd2\u3063\u3066\u3044\u305f\u306e\u3067\u3059\u304c\u300112\u6b73\u306e\u6642\u306b\u30ae\u30bf\u30fc\u3092\u5f3e\u304d\u59cb\u3081\u307e\u3057\u305f\u3002\u306e\u3061\u306b\u30a2\u30ea\u30ab\u30f3\u30c6\u5927\u5b66\u3067\u97f3\u697d\u3068\u82f1\u8a9e\u306e\u6559\u80b2\u5b66\u3092\u4fee\u4e86\u30019\u5e74\u9593\u6559\u8077\u306b\u5c31\u3044\u3066\u3044\u307e\u3057\u305f\u3002<\/p>

\u30ab\u30eb\u30ed\u30b9\u306f\u72ec\u5b66\u3067\u697d\u5668\u4f5c\u308a\u306b\u8208\u5473\u3092\u6301\u3061\u3001\u81ea\u5206\u7528\u306e\u30a8\u30ec\u30af\u30c8\u30ea\u30c3\u30af\u30d0\u30a4\u30aa\u30ea\u30f3\u3092\u4f5c\u3063\u305f\u5f8c\u3001\u30b9\u30c8\u30e9\u30c7\u30a3\u30d0\u30ea\u306e\u300c\u30af\u30eb\u30bc\u300d\u3092\u30e2\u30c7\u30eb\u306b\u3057\u305f\u30a2\u30b3\u30fc\u30b9\u30c6\u30a3\u30c3\u30af\u30d0\u30a4\u30aa\u30ea\u30f3\u3092\u88fd\u4f5c\u3057\u307e\u3057\u305f\u3002\u305d\u306e\u5f8c\u3001\u30ab\u30c7\u30a3\u30b9\u3067\u77e5\u308a\u5408\u3063\u305f\u30ae\u30bf\u30fc\u88fd\u4f5c\u5bb6\u30e9\u30d5\u30a1\u30a8\u30eb\u30fb\u30ed\u30da\u30b9\u30fb\u30dd\u30fc\u30e9\u30b9\u304c\u3001\u5f7c\u3092\u30ae\u30bf\u30fc\u88fd\u4f5c\u306e\u4ed5\u4e8b\u306b\u8a98\u3044\u3001\u30b9\u30d1\u30cb\u30c3\u30b7\u30e5\u30ae\u30bf\u30fc\u88fd\u4f5c\u3078\u306e\u60c5\u71b1\u3092\u76ee\u899a\u3081\u3055\u305b\u305f\u306e\u3067\u3059\u3002<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Carlos\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Carlos (Alicante, 1980) comenz\u00f3 a tocar la guitarra a los 12 a\u00f1os, aunque se form\u00f3 en viol\u00edn en el conservatorio. Posteriormente, estudi\u00f3 para ser Maestro de M\u00fasica e Ingl\u00e9s en la Universidad de Alicante, profesi\u00f3n que ejerci\u00f3 durante nueve a\u00f1os.<\/span><\/p>

Su inter\u00e9s por la construcci\u00f3n de instrumentos naci\u00f3 de forma autodidacta, cuando fabric\u00f3 un viol\u00edn el\u00e9ctrico para uso personal, seguido de un viol\u00edn ac\u00fastico basado en el \u201cKruse\u201d de Stradivari. M\u00e1s tarde, conoci\u00f3 al guitarrero Rafael L\u00f3pez Porras en C\u00e1diz, quien lo introdujo en el arte de la guitarrer\u00eda y despert\u00f3 en \u00e9l la pasi\u00f3n por la construcci\u00f3n de guitarras espa\u00f1olas.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Yunah Park \u30d1\u30af\u30fb\u30e6\u30ca <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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\u30e6\u30ca\uff081982\u5e74\u97d3\u56fd\u306e\u30bd\u30a6\u30eb\u751f\u307e\u308c\uff09\u306f\u300116\u6b73\u306e\u6642\u306b\u30bd\u30a6\u30eb\u3067\u30ae\u30bf\u30fc\u3078\u306e\u60c5\u71b1\u306b\u76ee\u899a\u3081\u3001\u3053\u308c\u306f\u751f\u6daf\u81ea\u5206\u3068\u5171\u306b\u3042\u308b\u697d\u5668\u3060\u3068\u3001\u3059\u3050\u306b\u78ba\u4fe1\u3057\u307e\u3057\u305f\u3002\u97d3\u56fd\u306e\u5927\u5b66\u306e\u5b66\u4f4d\u3092\u5f97\u305f\u5f8c\u3001\u30b9\u30da\u30a4\u30f3\u3067\u52c9\u5f37\u3092\u7d9a\u3051\u3001\u30ca\u30c1\u30e7\u30fb\u30ed\u30c7\u30b9\u7387\u3044\u308b\u30a2\u30ea\u30ab\u30f3\u30c6\u306e\u30aa\u30b9\u30ab\u30eb\u30fb\u30a8\u30b9\u30d7\u30e9\u9ad8\u7b49\u97f3\u697d\u9662\u3092\u5352\u696d\u3057\u307e\u3057\u305f\u3002<\/p>

\u30de\u30c9\u30ea\u30fc\u30c9\u306b\u3066\u3001\u30a2\u30f3\u30d8\u30eb\u30fb\u30d9\u30cb\u30fc\u30c8\u30fb\u30a2\u30b0\u30a2\u30c9\u3092\u5e2b\u5320\u3068\u3057\u3066\u3001\u624b\u5de5\u30ae\u30bf\u30fc\u306e\u4f1d\u7d71\u3092\u7d99\u3050\u30ae\u30bf\u30fc\u88fd\u4f5c\u306e\u4ed5\u4e8b\u3092\u899a\u3048\u307e\u3057\u305f\u3002\u540c\u6642\u306b\u300120\u4e16\u7d00\u30b9\u30da\u30a4\u30f3\u306e\u5049\u5927\u306a\u30ae\u30bf\u30fc\u88fd\u4f5c\u5bb6\u306b\u3064\u3044\u3066\u7814\u7a76\u3057\u3001\u4fee\u7406\u3068\u8a2d\u8a08\u6280\u8853\u3092\u78e8\u3044\u3066\u3001\u81ea\u5206\u306e\u30ae\u30bf\u30fc\u3092\u4f5c\u308a\u59cb\u3081\u307e\u3057\u305f\u3002<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Yunah\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Yunah (Se\u00fal, 1982) descubri\u00f3 su pasi\u00f3n por la guitarra a los 16 a\u00f1os en Se\u00fal, convencida desde el principio de que este instrumento la acompa\u00f1ar\u00eda toda la vida. Tras obtener su t\u00edtulo universitario en Corea, continu\u00f3 su formaci\u00f3n en Espa\u00f1a, donde se gradu\u00f3 en el Conservatorio Superior de M\u00fasica \u201cOscar Espl\u00e1\u201d de Alicante bajo la direcci\u00f3n de Nacho Rodes.<\/span><\/p>

En Madrid, aprendi\u00f3 el oficio de constructora de guitarras siguiendo la tradici\u00f3n artesanal con su maestro \u00c1ngel Benito Aguado. Durante ese tiempo, estudi\u00f3 a los grandes guitarreros espa\u00f1oles del siglo XX, perfeccion\u00f3 t\u00e9cnicas de reparaci\u00f3n y dise\u00f1o, y comenz\u00f3 a construir sus propias guitarras.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

\n\t\t\t\t\n\t\t\t\t\t
Joan Pellisa \u30b8\u30e7\u30a2\u30f3\u30fb\u30da\u30ea\u30b5 <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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\u30b8\u30e7\u30a2\u30f3\uff081979\u5e74\u30b9\u30da\u30a4\u30f3\u306e\u30e9\u30fb\u30d5\u30a1\u30bf\u30ec\u30ea\u30e3\u751f\u307e\u308c\uff09\u306f\u300130\u5e74\u4ee5\u4e0a\u3001\u97f3\u697d\u306b\u95a2\u3059\u308b\u3055\u307e\u3056\u307e\u306a\u4ed5\u4e8b\u306b\u643a\u308f\u3063\u3066\u304d\u307e\u3057\u305f\u3002\u6f14\u594f\u3001\u7814\u7a76\u3084\u697d\u5668\u88fd\u4f5c\u306a\u3069\u3067\u3059\u3002\u30ae\u30bf\u30fc\u88fd\u4f5c\u306e\u4ed5\u4e8b\u306f\u3001\u30b8\u30e3\u30a6\u30e1\u30fb\u30dc\u30bb\u30fc\u30eb\u3001\u30ab\u30eb\u30ed\u30b9\u30fb\u30b4\u30f3\u30b5\u30ec\u30b9\u3001\u30e9\u30a6\u30eb\u30fb\u30e4\u30b0\u30a8\u3084\u30db\u30bb\u30fb\u30eb\u30a4\u30b9\u30fb\u30ed\u30de\u30cb\u30ea\u30e7\u30b9\u306b\u5e2b\u4e8b\u3057\u307e\u3057\u305f\u3002\u3053\u306e\u5de8\u5320\u305f\u3061\u304c\u3001\u30b8\u30e7\u30a2\u30f3\u306e\u30ad\u30e3\u30ea\u30a2\u306b\u5927\u304d\u306a\u5f71\u97ff\u3092\u3082\u305f\u3089\u3057\u3066\u3044\u307e\u3059\u3002<\/p>

10\u5e74\u4ee5\u4e0a\u306b\u308f\u305f\u3063\u3066\u30d0\u30eb\u30bb\u30ed\u30ca\u97f3\u697d\u535a\u7269\u9928\u3067\u50cd\u304d\u3001\u3055\u307e\u3056\u307e\u306a\u6587\u5316\u306e\u4f1d\u7d71\u697d\u5668\u306e\u6570\u3005\u306b\u63a5\u3057\u3066\u304d\u307e\u3057\u305f\u3002\u3053\u306e\u7d4c\u9a13\u304c\u3001\u88fd\u4f5c\u5bb6\u3068\u3057\u3066\u306e\u4ed5\u4e8b\u3092\u3088\u308a\u8c4a\u304b\u306a\u3082\u306e\u306b\u3057\u3066\u3044\u307e\u3059\u300220\u5e74\u4ee5\u4e0a\u524d\u304b\u3089\u3001\u53e4\u3044\u5f26\u697d\u5668\u3068\u30a2\u30f3\u30c8\u30cb\u30aa\u30fb\u30c7\u30fb\u30c8\u30fc\u30ec\u30b9\u306e\u4f5c\u54c1\u3092\u5c02\u9580\u3068\u3057\u3066\u3001\u4f1d\u7d71\u6280\u8853\u3068\u73fe\u4ee3\u306e\u30c6\u30af\u30ce\u30ed\u30b8\u30fc\u3092\u878d\u5408\u3055\u305b\u3066\u3044\u307e\u3059\u3002<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Joan\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Joan (La Fatarella, 1979) lleva m\u00e1s de treinta a\u00f1os dedicado a la m\u00fasica en distintas facetas: interpretaci\u00f3n, investigaci\u00f3n y construcci\u00f3n de instrumentos. Aprendi\u00f3 el oficio de guitarrero de maestros como Jaume Bosser, Carlos Gonz\u00e1lez, Ra\u00fal Yag\u00fce y Jos\u00e9 Luis Romanillos, quienes dejaron una huella profunda en su trayectoria.<\/span><\/p>

Durante m\u00e1s de una d\u00e9cada trabaj\u00f3 en el Museo de la M\u00fasica de Barcelona, donde tuvo acceso a una amplia variedad de instrumentos hist\u00f3ricos de diferentes culturas, experiencia que ha enriquecido su labor como constructor. Desde hace m\u00e1s de veinte a\u00f1os, se especializa en instrumentos de cuerda antigua y en la obra de Antonio de Torres, combinando t\u00e9cnicas tradicionales con tecnolog\u00edas modernas.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t\t

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Kaoru Ono - \u5c3e\u91ce\u85ab (1953-2024) <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
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1953\u5e74\u751f\u307e\u308c\u3001\u4e2d\u5b66\u6821\u3067\u30ae\u30bf\u30fc\u3092\u5f3e\u304d\u59cb\u3081\u307e\u3057\u305f\u3002\u5927\u5b66\u3067\u306f\u5927\u5de5\u306e\u52c9\u5f37\u3092\u3057\u3066\u3044\u305f\u306e\u3067\u3001\u305d\u306e\u77e5\u8b58\u3092\u751f\u304b\u3057\u3066\u8da3\u5473\u3067\u30ae\u30bf\u30fc\u3092\u4f5c\u308a\u59cb\u3081\u307e\u3057\u305f\u3002\u305d\u306e\u4e26\u5916\u308c\u305f\u5de7\u307f\u3055\u3068\u97f3\u97ff\u611f\u899a\u304c\u3059\u3050\u306b\u8a55\u5224\u3092\u547c\u3073\u300127\u6b73\u306e\u6642\u3001\u71b1\u72c2\u7684\u306a\u30d5\u30a1\u30f3\u306e\u6c42\u3081\u306b\u5fdc\u3048\u3066\u30ae\u30bf\u30fc\u88fd\u4f5c\u306e\u30d7\u30ed\u3068\u3057\u3066\u306e\u30ad\u30e3\u30ea\u30a2\u3092\u30b9\u30bf\u30fc\u30c8\u3057\u307e\u3057\u305f\u3002<\/p>

\u307b\u307c\u540c\u6642\u306b\u3001\u30a2\u30eb\u30d9\u30eb\u30c8\u30fb\u30cd\u30b8\u30e1\u30fb\u30aa\u30fc\u30ce\uff08\u79b0\u5bdd\u5b5d\u6b21\u90ce\uff09\u306b\u5e2b\u4e8b\u3057\u3001\u30b9\u30d1\u30cb\u30c3\u30b7\u30e5\u30ae\u30bf\u30fc\u88fd\u4f5c\u306e\u4f1d\u7d71\u6280\u8853\u3092\u7fd2\u5f97\u3057\u307e\u3057\u305f\u3002\u305d\u306e\u5f8c\u3001\u30b9\u30da\u30a4\u30f3\u306b\u6e21\u308a\u3001\u30cd\u30b8\u30e1\u306e\u52a9\u8a00\u8005\u3067\u3042\u308b\u30b0\u30e9\u30ca\u30c0\u306e\u5de8\u5320\u30a2\u30f3\u30c8\u30cb\u30aa\u30fb\u30de\u30ea\u30f3\u30fb\u30e2\u30f3\u30c6\u30ed\u306e\u4e0b\u3067\u5b66\u3073\u307e\u3057\u305f\u30022001\u5e74\u3001\u30db\u30bb\u30fb\u30eb\u30a4\u30b9\u30fb\u30ed\u30de\u30cb\u30ea\u30e7\u30b9\u306e\u30ae\u30bf\u30fc\u88fd\u4f5c\u30de\u30b9\u30bf\u30fc\u30af\u30e9\u30b9\u306e\u305f\u3081\u306b\u30b9\u30da\u30a4\u30f3\u306b\u623b\u308a\u307e\u3057\u305f\u3002\u307e\u305f\u3001\u30de\u30c9\u30ea\u30fc\u30c9\u306e\u540d\u9ad8\u3044\u540d\u5de5\u30a2\u30eb\u30ab\u30f3\u30d8\u30eb\u30fb\u30d5\u30a7\u30eb\u30ca\u30f3\u30c7\u30b9\u306e\u65e5\u672c\u6ede\u5728\u4e2d\u306b\u3082\u3001\u8cb4\u91cd\u306a\u52a9\u8a00\u3068\u63f4\u52a9\u3092\u53d7\u3051\u307e\u3057\u305f\u3002<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Kaoru\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Nacido en 1953, comenz\u00f3 a tocar la guitarra en la escuela secundaria. Mientras estudiaba carpinter\u00eda en la universidad, empez\u00f3 a fabricar guitarras como pasatiempo, aplicando los conocimientos adquiridos. Su destreza excepcional y su sentido de la ac\u00fastica pronto llamaron la atenci\u00f3n, y a los 27 a\u00f1os inici\u00f3 su carrera profesional como guitarrero para satisfacer la demanda de los entusiastas.<\/span><\/p>

Casi al mismo tiempo, estudi\u00f3 con Alberto Nezime Ono (Kojiro Nejime) y aprendi\u00f3 las t\u00e9cnicas tradicionales de construcci\u00f3n de guitarras espa\u00f1olas. M\u00e1s adelante, viaj\u00f3 a Espa\u00f1a para formarse con el maestro granadino Antonio Mar\u00edn Montero, mentor de Nezime. En 2001, regres\u00f3 a Espa\u00f1a para realizar un m\u00e1ster en construcci\u00f3n de guitarras con Jos\u00e9 Luis Romanillos. Adem\u00e1s, recibi\u00f3 valiosos consejos y apoyo del reconocido artesano madrile\u00f1o Arc\u00e1ngel Fern\u00e1ndez durante sus visitas a Jap\u00f3n.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Conciertos \u30b3\u30f3\u30b5\u30fc\u30c8<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Mateo Arn\u00e1iz
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1 de abril - 11:30 - 4\u67081\u65e5<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Embajada de Espa\u00f1a en Jap\u00f3n<\/b>
1-3-29 Roppongi, Minato-ku,
Tokio 106-0032<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u6e2f\u533a\u516d\u672c\u67281-3-29<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Isabel Rei Samartim
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9 de abril - 18:30 - 4\u67089\u65e5<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Instituto Cervantes de Tokio
<\/b>2-9, Rokubancho Chiyoda-ku,
Tokio 102-0085<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Charla \u8b1b\u6f14<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t2 abril 4\u67082\u65e518:30<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u5165\u5834\u7121\u6599\uff08\u5b9a\u54e1\u306b\u9054\u3059\u308b\u307e\u3067\uff09<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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La guitarra espa\u00f1ola:
construcci\u00f3n y mantenimiento<\/b><\/p>

Charla sobre construcci\u00f3n artesanal y mantenimiento de una guitarra espa\u00f1ola.<\/p>

Breve recital de guitarra espa\u00f1ola por parte del guitarrista Mateo Arn\u00e1iz<\/b><\/span><\/p>

(*) La charla y el concierto se desarrollar\u00e1 en espa\u00f1ol, pero contaremos con un\/a int\u00e9rprete de espa\u00f1ol a japon\u00e9s para facilitar la comprensi\u00f3n.<\/p>

Entrada libre hasta completar el aforo.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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WP\u00dc SHINJUKU
<\/b><\/b>7-10-5 Nishi-Shinjuku, Shinjuku,
Tokyo 160-0022<\/p>

Tel: 03-5338-2001<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u30b9\u30d1\u30cb\u30c3\u30b7\u30e5\u30ae\u30bf\u30fc\uff1a
\u88fd\u4f5c\u3068\u30e1\u30f3\u30c6\u30ca\u30f3\u30b9 <\/b><\/p>

\u624b\u4f5c\u696d\u306b\u3088\u308b\u30b9\u30d1\u30cb\u30c3\u30b7\u30e5\u30ae\u30bf\u30fc\u88fd\u4f5c\u3068\u30e1\u30f3\u30c6\u30ca\u30f3\u30b9<\/p>

\u30de\u30c6\u30aa\u30fb\u30a2\u30eb\u30ca\u30a4\u30b9<\/b>\u306b\u3088\u308b\u30b9\u30d1\u30cb\u30c3\u30b7\u30e5\u30ae\u30bf\u30fc\u30df\u30cb\u30ea\u30b5\u30a4\u30bf\u30eb<\/p>

(*)
<\/span>\u8b1b\u6f14\u3068\u30ea\u30b5\u30a4\u30bf\u30eb\u306f\u30b9\u30da\u30a4\u30f3\u8a9e\u3067\u884c\u308f\u308c\u307e\u3059\u304c\u3001\u65e5\u672c\u8a9e\u306e\u901a\u8a33\u304c\u4ed8\u304d\u307e\u3059\u306e\u3067\u3001\u5185\u5bb9\u3092\u3054\u7406\u89e3\u3044\u305f\u3060\u3051\u307e\u3059\u3002<\/p>

\u5165\u5834\u7121\u6599\uff08\u5b9a\u54e1\u306b\u9054\u3059\u308b\u307e\u3067\uff09\u3002<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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WP\u00dc SHINJUKU
<\/b>\u3012160-0022 \u6771\u4eac\u90fd
\u65b0\u5bbf\u533a\u897f\u65b0\u5bbf7-10-5<\/p>

Tel: 03-5338-2001<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Encordadas Tokio 2025 es el primer evento dedicado \u00edntegramente a la construcci\u00f3n artesanal de guitarra espa\u00f1ola en Jap\u00f3n. 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